Manolo for the Big Girl Fashion, Lifestyle, and Humor for the Plus Sized Woman.

September 21, 2009

Fashion Week Round Up: Vera Wang, Tibi, Temperley of London and Rodarte.

Filed under: Fashion Week — Miss Plumcake @ 3:00 pm

Vera Wang: My favorite thing about Wang is I get to say “Wang”. Other than that? Meh. Black, messy, uninspiring.  Incredible jewelry though.

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Tibi: If that sullen girl from My So Called Life spent the summer with the Golden Girls, this is what she’d wear until Blanche slapped some sense into her. Hated it.

Temperley of London: I always think I dislike Alice Temperley because she reminds me of makeup artist and fellow Brit Charlotte Tilbury whom I dislike for a very good reason I can’t remember right now, and then I’m surprised when I see a Temperley show and don’t hate everything. True, she does tend towards costumey, and in the wrong hands this collection could go Circus Burlesque (which is less than ideal) but I dig the pattern and stripes, and we all know I’m a total tramp for a turban, top hat (full size, please) and tailored jacket.

Temperley look 1Temperley look 2

Rodarte: The Sisters Mulleavy do tribal Highland grunge by way of the Thunderdome. Which isn’t to say I didn’t like it.

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Philosophy:  Floaty, young and Creamsicle sweet. I hated the lip-print conceit that permeated nearly all the dresses, but I do like the ice cream man jackets and sherbet stripes of the earlier looks.

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September 17, 2009

Fashion Week: Oscar de la Renta

Filed under: Fashion Week — Miss Plumcake @ 3:35 pm

I’ll be honest, I’ve been disappointed by New York’s fashion week this go ’round. I haven’t made my way through all the shows but I’m just not moved. Partially because I like dressing like a grown up, which apparently is Just Not Done especially with the hot young designers whose goal is to throw the thinnest cotton voile imaginable on the thinnest model imaginable, spin her around like she’s getting ready to whack the mother of all pinatas and send her down the runway with whatever stuck.

So it fills my flask-shaped heart with glee to see Oscar de la Renta back in delightful form. Great colors, LOVE the hats and much of it is extremely wearable in larger sizes.

Revolutionary? No. But it’s genius in its own way.

Safari suit

We saw a lot of these great almost-Breton hats in this collection. It doesn’t look like an affectation at all, but does completely make the outfit in scale, and –as we see below– color.

Blue silk draped dress

Love this entire look. I think people wear blue and red together a lot for very casual wear, but you don’t see it often in sportswear, which is a shame because it looks amazing.

Want.

Am dying for this jacket. First I thought it was a print, but it appears to be passamenterie cord applique over a textured silk. I like a statement jacket over a shift, especially for our apple big girls.

tangerine dress

I’m not sure this dress fits the model as well as I’d like, but I like that it’s not painted on. This would be one of those 20 year dresses. I could see myself wearing this when I’m 50, no problem.

WANT lace suit

If you MUST wear crochet, this is how to do it. Looks like the top is silk noil open work and the jacket is bouclé. Skirt looks to be voile with several types of lace treatment.

Blue crochet suiting

continuing with a crochet theme. Which one of you crafty broads could do one up for me, please?

Black lace dress

Love love lovity love. I’ve seen things not dissimilar for the past few seasons from Lacroix and Gaultier, and there was another designer who did something similar this season which I like.

Red dress

(I don’t even like this dress, but I promise you it’ll be on a red carpet near you, soon)

For those of you following the shows, let me know what you think. What’s wowed you? What’s bored you to tears? Most importantly, how much do I love Victoria Beckham (answer: a lot)?

August 6, 2009

Little Boring Dress?

Filed under: Couture,Fashion,Fashion Week — Miss Plumcake @ 2:15 pm

Listen, it’s hard for me to get all het up about a little black dress anymore. Don’t get me wrong, I LOVE black and wear a ton of it. Half the dresses in my regular circulation are black and I wouldn’t have it any other way, but I’ve built up a tolerance. I need more to get that same high. Most of my black dresses are useful because they serve as a backdrop to a tremendous scarf or a piece of statement jewelry or dramatic makeup.

Although Coco “What’s a little Nazi-sympathizing between friends” Chanel was said to have originated the idea of the LBD, it’s really Cristobal Balenciaga who made it into something.

When boy genius Nicolas Ghesquière took the reins at Balenciaga (you can thank him for the gladiator sandal trend, btw) he focused on bringing back the razor-sharp cutting that made the house famous. Ever since then, he almost always starts his shows with a handful of incredible mercilessly precise silhouettes, often in black.

My favorite collection of his in recent memory was his Fall 2008 RTW collection which featured a series of brutal, sculptural black dresses. The sort of thing one of the Addicted to Love girls would wear if they needed to kill someone at a cocktail party in the year 3000.

Balenciaga F2008 RTW look 1Balenciaga F2008 RTW look 2
Balenciaga F2008 RTW look 3Balenciaga F2008 RTW look 4

I love the severity, the austerity of these looks. However, it’s well nigh impossible to do severe and modern when your body is all soft and cushy and romantic. I’ve never once in my life pulled off “modern” (everything turns to either 1927 or 1951 on me, whether I like it or not) and  can only manage severe because with hair and heels I am six feet three inches of first rate bitch and that sort of inner quality just shines through.

So it’s about finding a look with some of the same ideas as these robo-vixen that translates well into something that is *gasp* actually wearable. Like this, from former Halston designer Randolph Duke:

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This would be particularly good for the big girl who wants to draw attention to her shoulders and perhaps balance out the visual proportion of between shoulder and hips. I think I’d like a more colorful/interesting belt (something with a lot of aggressive modern hardware, or maybe two skinny belts in fuchsia and orange?) better than boring-but-serviceable black one that comes with it,  but otherwise I’d leave the accessories at a minimum. Maybe a pair of racing gloves.  Vroom.

June 29, 2009

The Monday Hotness: Galliano!

Filed under: Fashion,Fashion Week,Galliano!,The Monday Hotness — Miss Plumcake @ 5:38 pm

I was going to postpone the Monday Hotness because I was “uninspired” by which mean I’ve got a hair appointment with Frédéric Fekkai’s former personal assistant/senior stylist who flies into town once every six weeks and I’m totally nervous and stress-eating those insidiously delicious pygmy carrots because I feel like I’m cheating on my long-suffering stylist with some hot new model, which –okay– I am, but I’ll be thinking about her the whole time.

**DEEP BREATH**

Whew.

Someone about whom I’ve also been thinking a lot is everyone’s favorite Funky Little Fashion Troll, John Galliano. John Galliano is a genius. There are a lot of talented designers out there but only a handful –I’d say McQueen, Gaultier and Lacroix, maaaybe Miuccia– are just out and out geniuses, and Galliano is one of them…maybe the best working today.

AND he loves women –all women– which is why he’s such a perfect fit for Dior. He understands our bodies and celebrates them. He has famously used plus-size women in his runway shows and even someone used to stunt casting can’t help but believe when Galliano says “Every body is beautiful” he means it.

Blue Angel
“I don’t love dolls. I love women. I love their bodies.”

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“I’m an accomplice to helping women get what they want.”

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“The problem is with men. I know I shouldn’t say this, but they’ve shrouded and hidden women to hide their incompetence.”

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“Women are women, and hurray for that.”

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“Dressing up. People just don’t do it anymore. We have to change that.”

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“I don’t care about money. I really don’t care. I just want to do what I do.”

May 28, 2009

LACROIX, Sweetie (and Almodovar and Hemingway and Lagerfeld and Sara Murphy and)

Filed under: Books,Couture,Fashion,Fashion Week,Jewelry — Miss Plumcake @ 5:47 pm

Christian Lacroix Starts Insolvency Proceedings

Y’all. I cannot handle this today. I’ve totally been a woman on the verge of a nervous breakdown for the past few weeks anyway and NOW YOU’RE TAKING MY LACROIX?!?!

I can’t say I’m especially surprised, but I don’t think this is anywhere near the end for Edina Monsoon’s favorite designer.

Christian Lacroix, one of the few haute couture houses left, has been flying under the radar in this post-couture age. Lacroix is, and always has been, unapologetically continental in his approach to fashion as if to say if you don’t like his bright, exuberant Gallo-Iberian sensibilities, you can just take that mess over to Marc by Marc. The Lacroix woman doesn’t need you. The Lacroix woman doesn’t need anyone.

Speaking of being a woman on the verge, I am still in the throes of a major Almodovar moment, fashion-wise-speaking. If you’re not familiar with Pedro Almodovar’s earlier work, specifically the hilarious Women on the Verge of a Nervous Breakdown and Tie Me Up, Tie Me Down (both featuring a vintage Antonio Banderas in all his early-20’s glory)  do yourself a solid and netflix these today.

Lacroix 2009 Spring RTW, Nautical done right

Love this. So casual and 80’s-Euro-in-a-Good-Way. I’m loving the jacket (I’m having an epic jacket moment) and with editing, a big girl could wear this look effortlessly. The rope ankle straps on those shoes, make the look for me, but I don’t think they’ve gone into production. This is what Lagerfeld was trying to do with his Villas Americas collection based on Sara and Gerald Murphy, the jazz-age expats who made the South of France glamorous to Anglo-American sensibilities and inspired F. Scott Fitzgerald’s “Tender is the Night” plus Ernest Hemingway’s unfinished “Garden of Eden“.

Sara and Gerald Murphy

and while I love all things jazz age, what I’m all about right now is color, and I mean COLOR.

Women on the Verge pink and red

This still from Women on the Verge  has been on my inspiration board since October.  I love everything about it. It’s quirky, vibrant and flawless, although the women are not traditionally beautiful.

Also on my look board:

Lacroix 2009 Spring RTW My Favorite Look

LOVE the color,  love the Perry Ellis-goes-to-Arles feel. Yes, this is a LOT of look, but there are a ton of individual pieces and references you could take and make your own. Am DYING for that acid green.

And then there are the polka dots.

Polka dots

Popular fashion wisdom has it that pink, plaid and polka dots always come back.  Big girls can wear polka dots like nobody’s business, especially great big ones which, as luck would have it, is what looks fresh now.

Lacroix 2009 Spring RTW polka dot coat

I know we did the Swiss thing a few years ago in a very retro 50’s rockabilly/pin-up way, and that was precious and all but it got tiresome.

These look fresh and I love how they play with the scale. And it’s so slouchy and easy. Very South of France.  If I ever do end up marrying Andre, this is totally what I’m going to wear when we’re visiting the ancestral manse.

Lacroix 2009 Spring RTW dot dress

Seriously.

One of the other fantastic things about this collection that reminded me so much of Almodovar is the jewelry. Pulling off a lot of statement jewelry in one look takes a judicious eye but I love both the irony of sending up the “more is more” mentality that got us into this delightful economic slophouse and the fun of just being unapologetically, gloriously over-adorned. Love it!

January 28, 2009

Paris Fashion Week: Dior!

Filed under: Couture,Fashion Week,Galliano! — Miss Plumcake @ 3:13 pm

“There’s a credit crunch, not a creative crunch. Of course, everyone is being more careful with their discretionary purchases. I am. But it’s our job to make people dream, and to provide the value in quality, cut, and imagination.” -John Galliano

Spring 2009 Couture launched in Paris this week. Dior and Chanel showed early and of course they were both major moments in their way.  Galliano’s inspirations were Flemish painters and his collection was –after an admittedly unexciting Fall 2008 Couture– breathtakingly beautiful.

 

What struck me is how wearable so many of these looks are for big girls. Mr Galliano designs with women in mind. He plays with shapes and volume and movement, and you get the feeling after reviewing his collection that every shape fascinates him when it comes to women and clothes.Dior Spring Couture 09 cream sleeves

 

A lot of what makes Galliano a great fit for the house is that Dior always treated women’s bodies as women’s bodies. There were always hips and breasts and waists and legs, and one gets the feeling that looking at the designs of Mssrs Dior and Galliano that they are more concerned about the aesthetic beauty of the shape, not the social value.

 

 

Dior Spring Couture 09 cream dress

The movement of these dresses just kill me.  You know it’s structured and cantilevered within an inch of its life, but it looks weightless.  I could cry.

Mustard jacket

 This jacket. Good gravy.

 

Delft Dress

 

Perfect. I bet Dolce & Gabbana –they of the Big! Poufy! Gown!– wet themselves when they saw this. I would get married in this gown.

 

 Ribbon Candy

Can’t decide whether I love this or if it’s Too Soon for a resurgance of pale salmon after the evil done on its behalf in the 1980’s. It reads painterly, but it also read Laura Ashley goes Couture, but is that necessarily a bad thing? Hmm.

 

 

September 21, 2008

Well, It’s Up From Zero

Filed under: Fashion Week — Twistie @ 11:36 am

There was a small change in the air at New York Fashion Week: the size of the models.

It was a very small change, but one that I sincerely hope will lead to bigger and better changes. Instead of the average model being a size 0, she was a size 2 or 4.

Yeah, not that much, really, but at least a baby step in the right direction.

Over the last few years, the open ugly secret of the worldwide fashion industry has gotten more and more press. I’m talking, of course, about the epidemic of eating disorders among catwalk models, and the unhealthy ways models often maintain the human hanger look everyone agrees is necessary for modeling purposes.

There are, of course, some women who naturally do meet the exacting weight standards of the industry, but not anywhere near enough to walk all those runways. Not everyone who is naturally that thin is also considered tall enough, chic enough. Some of them are actually interested in other lines of work. Those who are not naturally that thin are directed to find a way to get there…or else they won’t work.

As a new model at 15, Coco Rocha said she went to Singapore and lost 10 pounds in six weeks. When she returned to the U.S. she was so obsessed with food, she beat herself up over eating an apple.

“I’ll never forget the piece of advice I got from people in the industry when they saw my new body,” she wrote in an e-mail to The Associated Press. “They said, ‘You need to lose more weight. The look this year is anorexia. We don’t want you to be anorexic but that’s what we want you to look like.'”

And when you get right down to it, nobody is willing to take the blame for either the look or the amount of devastation it has caused. Designers, art directors, beauty editors…each blames another branch of the industry or the consumers.

Frankly, I don’t give a crap who started this game. I just want someone to stand up and stop it. An average size of 2 is better than an average size of 0, but when are women on the runways of the world going to match the sizes and shapes of the women who are actually going to wear the clothes?

I know that fashion shows are as much fantasy as anything else. I know pieces get shown that are not meant to be worn in any real situation. I don’t even object to an occasional size 0 model, so long as that’s what nature intended her to be. Real women are fat. Real women are thin. Real women have hourglass figures. Real women have pear figures. Real women have apple figures. Real women come in every color of the rainbow, every shape, size, height, and level of physical ability.

Wake up, fashion designers! The human body is part of the design challenge in clothing. The human body is not a hanger. It is a living, breathing, moving element of your work. What’s more, models are human beings. They need to be able to feed themselves as nature directs. When a fifteen year old girl is terrified to bite into a juicy apple bursting with nutrients her body needs for fear of losing her job, then we have reached a state of affairs in desperate need of fixing.

Some eating disorder groups have called for a minimum standard BMI of 18.5 for models and independant medical assurance that the models do not suffer from eating disorders. Dr. Susan Ice, director of an eating disorders treatment center and a member of the Council of Fashion Designers of America health initiative, described this standard as ‘draconian.’ London has dropped their plan to require medical examinations for models due to lack of international support.

And so the cycle continues. Nobody accepts a part of the blame, attempts to change the system are met with massive resistance, and the unrealistic expectations continue to badger young girls and boys who grow up thinking this is simply the way things should be.

2 is better than 0…but not by anything like enough.

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